1 00:00:01,935 --> 00:00:03,802 PREVIOUSLY ON THE PRETENDER. 2 00:00:03,870 --> 00:00:06,771 HIS NAME IS ANGELO. THINK OF HIM LIKE A SPONGE... 3 00:00:06,840 --> 00:00:09,708 SOMEONE WHO CAN ABSORB THE INTELLECTUAL, EMOTIONAL, 4 00:00:09,776 --> 00:00:12,277 EVEN THE PHYSICAL TRAITS OF OTHERS. 5 00:00:12,346 --> 00:00:14,346 HE WILL FIND JAROD FOR US. 6 00:00:14,415 --> 00:00:17,216 HE BETTER, SYDNEY. HE JUST BETTER. 7 00:00:26,560 --> 00:00:29,494 YES, MR. PARKER. 8 00:00:29,563 --> 00:00:33,298 HE'S SEARCHING THE INTERNET FOR ANY SIGNS OF HIM NOW. 9 00:00:34,401 --> 00:00:36,334 WE'LL FIND JAROD... 10 00:00:36,403 --> 00:00:40,738 AND WHOEVER INSIDE THE CENTRE IS HELPING HIM. 11 00:00:43,177 --> 00:00:47,278 KEEP WORKING, ANGELO. 12 00:00:47,347 --> 00:00:49,614 KEEP WORKING. 13 00:00:54,321 --> 00:00:57,889 WHOO-WHEE! 14 00:00:57,958 --> 00:01:00,725 YOU SEE? GET TOO CLOSE TO THAT BAD BOY... 15 00:01:00,794 --> 00:01:03,428 AND YOU'LL BE A-PICKING YOUR NOSE WITH YOUR WRIST. 16 00:01:03,497 --> 00:01:07,465 NOW, YOU BOYS ARE 21, AREN'T YA? 17 00:01:10,203 --> 00:01:12,671 THAT'S WHAT I THOUGHT. 18 00:01:12,740 --> 00:01:14,740 FILL UP THEIR TRUNK, EUGENE. 19 00:01:17,011 --> 00:01:21,145 - NOW, WHERE WERE WE? - YOU WERE TELLING US ABOUT MR. NOBEL. 20 00:01:21,214 --> 00:01:25,450 YEAH, OLD NOBEL WAS LIKE A PICASSO OF GUNPOWDER. 21 00:01:25,519 --> 00:01:29,955 - HE INVENTED THE BIG BERTHA, YOU KNOW. - THE BIG BERTHA? 22 00:01:30,023 --> 00:01:33,758 THE MOTHER OF ALL ROMAN CANDLES. THREE TIME-DELAYED SPARKLE EXPLOSIONS... 23 00:01:33,827 --> 00:01:36,594 WRAPPED IN A COLOR-SPRAY SMOKE BANGER, 24 00:01:36,663 --> 00:01:39,798 LINED WITH QUARTER STRANDS OF T.N.T. 25 00:01:39,867 --> 00:01:42,967 - SOUNDS IMPRESSIVE. - PUT ON A NEW YEAR'S EVE SHOW... 26 00:01:43,036 --> 00:01:45,003 THAT PUT OLD DICKIE CLARK TO SHAME. 27 00:01:45,071 --> 00:01:49,974 I DON'T KNOW WHERE HE WENT. JUST DISAPPEARED. 28 00:01:50,043 --> 00:01:51,809 YES. HMM. 29 00:01:51,878 --> 00:01:55,480 HE HAS A HABIT OF DOING THAT. THANK YOU. 30 00:01:55,549 --> 00:01:59,384 THERE IS NO WAY THAT JAROD COULD HAVE KNOWN WE WERE COMING. 31 00:01:59,453 --> 00:02:02,254 ZERO. 32 00:02:02,322 --> 00:02:07,158 HAVE YOU NOTICED THAT IT NEVER SEEMS TO WORK THE OTHER WAY, SYD? 33 00:02:07,227 --> 00:02:10,095 MAYBE THERE IS A REASON. 34 00:02:16,303 --> 00:02:18,303 STAY FROSTY, NOBEL. 35 00:02:18,372 --> 00:02:21,340 IT'S ALL BEING RECORDED FOR POSTERITY. 36 00:02:22,976 --> 00:02:25,543 THIS WAY. 37 00:02:27,614 --> 00:02:31,516 THE NOTE THAT WAS FAXED SAID WE'D FIND THE BOMB OVER HERE. 38 00:02:36,957 --> 00:02:39,991 CARLSON. 39 00:02:40,059 --> 00:02:42,059 HELLO. 40 00:02:45,299 --> 00:02:49,000 OH, YEAH. 41 00:02:49,069 --> 00:02:51,502 BAD BETTY. 42 00:02:51,571 --> 00:02:54,005 FAX BOMBER'S USUAL. 43 00:02:55,275 --> 00:02:57,909 WHOA, COWBOY. 44 00:02:57,977 --> 00:03:02,047 BETTY NEEDS HER BEAUTY REST, OR SHE'S A REAL WITCH TO WAKE UP NEXT TO. 45 00:03:02,115 --> 00:03:04,416 TOOLS. 46 00:03:10,724 --> 00:03:14,359 WHOA. I FOUND SOMETHING. 47 00:03:14,427 --> 00:03:17,228 LOOKS LIKE A NOTE. HE ALWAYS LEAVES ONE. 48 00:03:25,972 --> 00:03:28,606 WHAT'S IT SAY? 49 00:03:28,675 --> 00:03:32,109 "CATCH ME IF YOU CAN, YOU MISCREANTS." 50 00:03:32,178 --> 00:03:34,779 "MISCREANTS"? WHAT DOES THAT MEAN? 51 00:03:38,451 --> 00:03:42,386 IT MEANS "GET THE HELL OUTTA HERE"! MOVE! MOVE! 52 00:04:01,140 --> 00:04:03,407 IS IT ALWAYS LIKE THIS? 53 00:04:05,145 --> 00:04:08,579 WELCOME TO THE BOMB SQUAD, JAROD. 54 00:05:10,577 --> 00:05:12,777 SO, NOBEL, NOW YOU KNOW... 55 00:05:12,846 --> 00:05:16,214 WHAT A CLOSE ENCOUNTER WITH THE FAX BOMBER FEELS LIKE, HUH? 56 00:05:16,283 --> 00:05:18,983 MM-HMM. 57 00:05:19,053 --> 00:05:21,053 MAN, I WISH I COULD HAVE BEEN HERE. 58 00:05:21,121 --> 00:05:23,088 CAN'T IMAGINE WHY, SIR. 59 00:05:23,157 --> 00:05:26,891 - MY EARS ARE STILL RINGING. - USED TO BE SOME SCUMBALL WENT TO MAKE A BOMB THREAT, 60 00:05:26,960 --> 00:05:28,938 THEY'D PICK UP THE PHONE LIKE A DECENT HUMAN BEING. 61 00:05:28,962 --> 00:05:31,228 NOW WHAT? THEY FAX 'EM IN. 62 00:05:31,297 --> 00:05:34,098 - SCUMBALL? - SORT OF LIKE A MISCREANT, ONLY DIFFERENT. 63 00:05:34,167 --> 00:05:37,235 SOMEONE MARK THE CALENDAR. LAMONT MADE A FUNNY. 64 00:05:37,304 --> 00:05:40,205 NOW, THIS BOMBER FAXES HIS THREATS IN. 65 00:05:40,273 --> 00:05:43,608 THAT'S A UNIQUE M.O. MUST HELP HIM COVER HIS TRACKS. 66 00:05:43,677 --> 00:05:46,777 WELL, THIS GUY DOESN'T NEED ANY HELP. WE HAVE RUN... 67 00:05:46,846 --> 00:05:50,715 EVERY PIECE OF EVIDENCE HE'S LEFT BEHIND THROUGH THE BEST TECHNOLOGY WE HAVE: 68 00:05:50,783 --> 00:05:54,852 D.N.A., HAIR SAMPLES, FIBER, IMPRESSIONOLOGY... 69 00:05:54,921 --> 00:05:56,921 GUY LEAVES US NOTHING TO FOLLOW. NOTHING. 70 00:05:56,990 --> 00:05:58,956 WE GOTTA CATCH A BREAK SOMETIME. 71 00:05:59,025 --> 00:06:02,394 SO YOU, UH... YOU PEOPLE, YOU STAY HERE AND KEEP AFTER THIS. 72 00:06:02,462 --> 00:06:04,595 I'M GONNA GO LIE TO THE PRESS. 73 00:06:09,770 --> 00:06:11,914 WHAT'S THE MATTER, CARLSON? YOU CATCH A LITTLE MORE STEEL LAST NIGHT? 74 00:06:11,938 --> 00:06:16,141 HEY, LAMONT, WHY DON'T YOU BE A GOOD CIVIL SERVANT? GET THE TWO HEROES SOME COFFEE. 75 00:06:16,209 --> 00:06:18,043 HE LOVES ME. 76 00:06:18,111 --> 00:06:20,445 DID YOU HAVE ANOTHER BOMB GO OFF ON YOU BEFORE? 77 00:06:20,513 --> 00:06:22,525 I GOT A LITTLE SHRAPNEL IN MY SHOULDER DURING THE WAR. 78 00:06:22,549 --> 00:06:25,149 HERO HERE'S THE ONLY GUY REFERS TO GRENADA AS A WAR. 79 00:06:25,218 --> 00:06:28,386 - I GOT THE MEDALS TO PROVE IT. - COME ON. YOU KNOW THE ONLY MEDALS... 80 00:06:28,455 --> 00:06:32,156 THAT COUNT IN YOUR FAMILY ARE THE ONES YOUR BIG BROTHER WON IN 'NAM. 81 00:06:32,225 --> 00:06:34,938 I HEARD THAT YOU BROUGHT THE LAST TWO OF THE FAX BOMBER'S DEVICES IN INTACT. 82 00:06:34,962 --> 00:06:38,697 I GOT LUCKY. HEY. DON'T YOU WORRY ABOUT IT, J. 83 00:06:38,766 --> 00:06:40,832 ONE DAY THIS FAX BOMBER'S GONNA SLIP UP. 84 00:06:40,901 --> 00:06:43,668 WHEN HE DOES, WE'RE GONNA BE THERE TO CATCH HIM. 85 00:06:43,737 --> 00:06:46,804 I JUST HOPE THE S.O.B. BLOWS HIMSELF UP. 86 00:06:46,873 --> 00:06:50,308 THE DETONATOR WAS CONNECTED TO AN ACCELERATOR. 87 00:06:50,377 --> 00:06:55,280 THIS IS A DANGEROUS NEW ESCALATION FOR THE FAX BOMBER. 88 00:06:55,349 --> 00:06:57,315 HAND THOSE OUT, WILL YOU, JOHN? 89 00:06:57,384 --> 00:06:59,484 THIS IS MY SIGHT PROFILE OF THE BOMBER. 90 00:06:59,553 --> 00:07:03,387 IT INCLUDES A, UH, COMPUTER-GENERATED COMPOSITE SKETCH... 91 00:07:03,456 --> 00:07:05,489 BASED ON SOME INCOMPLETE INFORMATION. 92 00:07:05,558 --> 00:07:09,561 HE LOOKS LIKE MY UNCLE FRED. LOOKS LIKE EVERYONE'S UNCLE FRED. 93 00:07:09,629 --> 00:07:13,098 BASED ON HIS, UH, FAXED THREATS AND OTHER DATA, 94 00:07:13,166 --> 00:07:17,002 THE BOMBER IS A LEFT-HANDED, DISGRUNTLED EX-CITY WORKER. 95 00:07:17,070 --> 00:07:20,772 THE CHANCES ARE HE'S ALREADY EXPRESSED HIS DISCONTENT. 96 00:07:20,840 --> 00:07:24,575 - WE ALL KNOW WHAT THAT MEANS. - BACK TO THE CRANK FILES. 97 00:07:24,644 --> 00:07:27,512 EXCELLENT, LAMONT. NOW, I EXPECT... 98 00:07:27,580 --> 00:07:30,514 THAT ALL OF YOU PEOPLE WILL PUT IN WHATEVER OVERTIME IS NECESSARY... 99 00:07:30,583 --> 00:07:35,720 TO SCREEN THOSE FILES AND TO INTERVIEW EVERY POSSIBLE PERP. 100 00:07:35,789 --> 00:07:39,958 QUESTIONS? NO? GOOD. GO TO WORK. 101 00:07:43,796 --> 00:07:46,998 EXCUSE ME. LIEUTENANT CHOMSKY, DO YOU HAVE A MOMENT? SURE. 102 00:07:47,067 --> 00:07:50,935 I'VE BEEN GOING OVER YOUR FILE ON THE FAX BOMBER, AND WITH ALL DUE RESPECT, SIR... 103 00:07:51,004 --> 00:07:56,207 YOU KNOW, WHEN PEOPLE SAY, "ALL DUE RESPECT," THEY GENERALLY DON'T HAVE IT. 104 00:07:56,276 --> 00:08:00,044 SIR, IT-IT'S JUST THAT I THINK THAT YOUR PROFILE OF THE PERP... 105 00:08:00,113 --> 00:08:03,381 IS EXACTLY WHO HE WANTS US TO THINK HE IS. 106 00:08:03,449 --> 00:08:07,485 I THINK THAT HIS GRUDGE AGAINST THE CITY AND EVERYTHING ELSE ABOUT HIM IS A MISLEAD. 107 00:08:07,554 --> 00:08:10,432 GUY'S HERE A WEEK, HE'S ALREADY BUCKING FOR MY BARS. 108 00:08:10,456 --> 00:08:12,757 NO, SIR. I JUST HAPPEN TO HAVE A DIFFERENT OPINION. 109 00:08:12,826 --> 00:08:16,127 BASED ON WHAT? I KNOW PEOPLE. 110 00:08:16,196 --> 00:08:18,563 I'M LISTENING. 111 00:08:18,631 --> 00:08:20,565 THE D.N.A. AND THE IMPRESSIONOLOGY... 112 00:08:20,633 --> 00:08:22,566 ALL CAME UP EMPTY. 113 00:08:22,636 --> 00:08:25,536 HE'S TRYING TO LEAD US DOWN A HIGH-TECH PATH, 114 00:08:25,605 --> 00:08:29,007 BUT I BELIEVE THAT WE CAN SNAG HIM WITH A LOW-TECH SOLUTION. 115 00:08:29,075 --> 00:08:31,142 HE'S RIGHT-HANDED, 116 00:08:31,211 --> 00:08:33,411 BUT HE WANTS US TO BELIEVE HE'S A LEFTY. 117 00:08:33,480 --> 00:08:36,081 THE VERTICALS AND THE HORIZONTALS ARE ALL JAGGED, 118 00:08:36,149 --> 00:08:39,984 WHICH WOULD INDICATE THAT HE'S BEEN WRITING WITH HIS SUBDOMINANT HAND. 119 00:08:40,053 --> 00:08:44,589 YOU'RE A GRAPHOLOGIST? UH, NO, SIR, BUT I WAS A PALM READER ONCE. 120 00:08:44,658 --> 00:08:47,258 SHALL I TELL YOU ABOUT YOUR FUTURE HERE? 121 00:08:47,327 --> 00:08:51,462 SIR, I BELIEVE THAT OUR BOMBER... 122 00:08:51,531 --> 00:08:55,433 IS A CITY EMPLOYEE WHO IS NOT NECESSARILY DISGRUNTLED. 123 00:08:55,502 --> 00:08:58,169 HE'S ENJOYING WATCHING US RUN AROUND... 124 00:08:58,238 --> 00:09:02,473 ALMOST AS MUCH AS HE ENJOYS SETTING OFF EXPLOSIONS. 125 00:09:02,542 --> 00:09:06,745 IF YOU WANT TO SUGGEST THAT, UH, THIS CLOWN IS SOME KIND OF A MERRY PRANKSTER, 126 00:09:06,813 --> 00:09:09,848 I RECOMMEND THAT YOU TALK WITH RACHEL NEWTON. 127 00:09:09,916 --> 00:09:12,036 RACHEL IS GONNA SPEND THE NEXT YEAR OF HER LIFE... 128 00:09:12,085 --> 00:09:14,230 LEARNING HOW TO READ BRAILLE BECAUSE OF THE FAX BOMBER. 129 00:09:14,254 --> 00:09:17,188 I WASN'T TRYING TO TRIVIALIZE THAT, SIR. NO, NO. I KNOW YOU WEREN'T. 130 00:09:17,257 --> 00:09:20,125 YOU WERE JUST TRYING TO MAKE, UH, AN IMPRESSION, 131 00:09:20,193 --> 00:09:22,794 SHOW OFF YOUR ERUDITE EUROPEAN UPBRINGING. 132 00:09:22,862 --> 00:09:25,864 MY WHAT? THE CADENCE IN YOUR VOICE... 133 00:09:25,932 --> 00:09:30,034 YOU WERE RAISED BY A FRENCH NANNY. WELL, COULD BE BELGIAN, I SUPPOSE. 134 00:09:30,103 --> 00:09:34,071 HOW DID YOU KNOW THAT? OH, I KNOW ABOUT PEOPLE TOO. 135 00:09:40,947 --> 00:09:44,015 DAMN IT, BROOTS. YOU SAID WE HAD HIM CORNERED. 136 00:09:44,084 --> 00:09:46,150 BUT WE DID. I DON'T KNOW WHAT HAPPENED. 137 00:09:46,219 --> 00:09:50,989 JAROD HAPPENED. OH, SPARE ME, SYDNEY. 138 00:09:51,057 --> 00:09:53,190 ALL I KNOW IS THAT I'M FED UP... 139 00:09:53,259 --> 00:09:55,727 WITH ALWAYS BEING A STEP BEHIND HIM. 140 00:09:55,795 --> 00:09:58,229 SO AM I. 141 00:10:02,669 --> 00:10:07,204 - UH, I-I GOTTA GO. - STAY HERE, MR. BROOTS. 142 00:10:07,273 --> 00:10:10,408 - WHAT BRINGS YOU DOWN FROM THE TOWER, SIR? - PLUMBING. 143 00:10:10,477 --> 00:10:13,110 PLUMBING? 144 00:10:13,179 --> 00:10:15,547 I'VE COME TO PLUG A LEAK. 145 00:10:23,757 --> 00:10:27,024 - HEY. - HEY. WHAT'S UP, NOBEL? 146 00:10:27,093 --> 00:10:30,562 THE FAX BOMBER, A.K.A. UNCLE FRED. 147 00:10:30,630 --> 00:10:32,841 OKAY. NOT MY FINEST HOUR, BUT, HEY, 148 00:10:32,865 --> 00:10:37,268 NOBODY GOT A GREAT LOOK AT THIS GUY, SO THE SKETCH IS, YOU KNOW, SKETCHY. 149 00:10:37,337 --> 00:10:39,270 THIS IS A FASCINATING MACHINE. 150 00:10:39,339 --> 00:10:42,607 YEAH. THIS HERE IS A DECATRONICS TURBO GRAPHICS II WORKSTATION. 151 00:10:42,676 --> 00:10:46,978 THIS LITTLE BAD BOY MAKES COMPOSITES, PUTS DISGUISES ON PORTRAITS, 152 00:10:47,046 --> 00:10:52,449 AGES MISSING KIDS, WHICH IS WHAT I'M DOING NOW. 153 00:10:52,518 --> 00:10:56,220 THAT'S INCREDIBLE. SOME OF MY BEST WORK'S BEEN ON THE BACKS OF MILK CARTONS. 154 00:10:56,289 --> 00:10:58,556 THINK OF THE D.T.G. II... 155 00:10:58,625 --> 00:11:00,465 AS SORT OF A HIGH-TECH MR. POTATO HEAD. 156 00:11:00,526 --> 00:11:03,627 - MISTER WHO? - POTATO HEAD. 157 00:11:03,696 --> 00:11:07,732 OH. NOW, THIS IS INTERESTING. 158 00:11:07,800 --> 00:11:11,435 YOU CALL HIM MR. POTATO HEAD, YET HIS HEAD IS HIS WHOLE BODY? 159 00:11:11,504 --> 00:11:13,304 YEAH. COOL, HUH? 160 00:11:13,373 --> 00:11:15,406 HE COMES WITH LITTLE INTERCHANGEABLE EARS, 161 00:11:15,474 --> 00:11:17,608 EYES AND LITTLE HATS. 162 00:11:17,677 --> 00:11:21,479 OLD SPUD MAN IS THE ORIGINAL MASTER OF DISGUISE. 163 00:11:21,548 --> 00:11:24,315 YOU KNOW, THIS WOULD MAKE A WONDERFUL TOY FOR CHILDREN. 164 00:11:26,252 --> 00:11:29,887 HEY, NOBEL, CRANK FILE JUST TURNED UP A HOT ONE. LET'S RUN. 165 00:11:29,956 --> 00:11:32,090 HMM. 166 00:11:34,828 --> 00:11:37,061 OH, GOD. WHAT'D HE DO? 167 00:11:37,130 --> 00:11:40,798 CURTIS! THEY FINALLY CAME TO ARREST YOU! 168 00:11:42,869 --> 00:11:45,770 CURTIS! BUSY, MA! 169 00:11:45,839 --> 00:11:48,940 MRS. HARING, WE'RE NOT HERE TO ARREST YOUR SON. 170 00:11:49,009 --> 00:11:52,109 I KNEW SOMEDAY THE COPS WOULD SHOW UP AND TAKE HIM AWAY. 171 00:11:52,178 --> 00:11:56,447 - CURTIS! - I SAID, GET OFF MY BACK! 172 00:11:56,515 --> 00:11:57,668 MA'AM, WE JUST WANTED TO... 173 00:11:57,692 --> 00:11:59,884 THIRTY YEARS OLD, AND HE STILL LIVES IN MY BASEMENT. 174 00:11:59,953 --> 00:12:02,687 DAY IN AND DAY OUT, WRITING HIS LITTLE LETTERS. 175 00:12:02,756 --> 00:12:05,022 I SHOULD'VE BOUGHT STOCK IN BIC. 176 00:12:05,091 --> 00:12:08,626 DON'T SAY NOTHING, MA. THIS IS ALL GOING ON TAPE SOMEWHERE. I KNOW IT. 177 00:12:08,694 --> 00:12:11,996 LISTEN TO THAT. DO YOU KNOW WHAT IT'S DONE TO MY SOCIAL LIFE... 178 00:12:12,065 --> 00:12:13,998 HAVING HIM DOWN THERE? 179 00:12:14,067 --> 00:12:17,936 YOU'RE NOT GETTIN' NOTHIN' OUT OF ME. I'M IN THE PRIME OF MY LIFE. 180 00:12:18,004 --> 00:12:21,839 I SHOULD GO OUT, GET MYSELF SOME NICE SHOES AND FIND MYSELF A MAN. 181 00:12:21,908 --> 00:12:25,909 - MA! - SIR, 182 00:12:25,978 --> 00:12:28,090 DID YOU WRITE THESE LETTERS TO THE UTILITIES COMMISSION? 183 00:12:28,114 --> 00:12:31,215 AND I'LL WRITE A HUNDRED MORE TILL THEY GIVE ME BACK MY WORKMAN'S COMP. 184 00:12:31,284 --> 00:12:34,585 I GOT AN INOPERABLE HERNIA WORKING FOR THIS CITY, 185 00:12:34,654 --> 00:12:37,288 AND THEY THREW ME TO THE WOLVES. 186 00:12:37,357 --> 00:12:40,057 HOW'D YOU GET THAT LETTER? WHAT'S YOUR NAME? 187 00:12:40,126 --> 00:12:42,226 I'M CARLSON. THIS IS, UH, NOBEL. 188 00:12:42,295 --> 00:12:44,740 HOLD STILL, MAN. I CAN'T SEE YOUR BADGE NUMBER. 189 00:12:44,764 --> 00:12:48,833 HE DON'T HAVE NO HERNIA. HE JUST DON'T WANNA MOVE OUT OF THE BASEMENT. 190 00:12:48,901 --> 00:12:52,737 SHUT UP, MA! YOU KNOW HOW MY LEGS TINGLE EVERY TIME I SIT FOR TOO LONG. 191 00:12:52,806 --> 00:12:54,772 YEAH, AND I KNOW WHERE YOU'RE SITTIN'! 192 00:12:54,841 --> 00:12:58,343 SIR, WE'RE NOT HERE TO TALK ABOUT YOUR WORKMAN'S COMP. 193 00:12:58,411 --> 00:13:01,124 WE WANT TO ASK YOU SOME QUESTIONS ABOUT YOUR WHEREABOUTS. 194 00:13:01,148 --> 00:13:04,415 HEY, IF YOU THINK YOU GOT SOMETHING ON ME, YOU COME BACK WITH A WARRANT. 195 00:13:04,484 --> 00:13:07,451 TILL THEN, ME AND MY MOTHER'S GOT NOTHING TO SAY TO YOU MISCREANTS. 196 00:13:08,454 --> 00:13:11,055 I SHOULD'VE MARRIED A DENTIST. 197 00:13:11,123 --> 00:13:14,025 AT LEAST THEN HIS TEETH'D BE BETTER. MA! 198 00:13:15,661 --> 00:13:17,861 THIS GUY'S CLASSIC BOMBER MATERIAL. 199 00:13:17,930 --> 00:13:20,598 FORMER CITY WORKER, DOMINEERING MOTHER, 200 00:13:20,666 --> 00:13:24,768 BASEMENT WORKSHOP, A LITTLE ANTISOCIAL BEHAVIOR. 201 00:13:24,837 --> 00:13:27,038 I'M NOT CONVINCED. HUH? 202 00:13:27,107 --> 00:13:30,208 HE'S WRITTEN 253 LETTERS TO THE CITY AND COUNTING. 203 00:13:30,276 --> 00:13:32,588 IF HE'S CROSSED THE THRESHOLD INTO PLANTING BOMBS, 204 00:13:32,612 --> 00:13:34,790 DON'T YOU THINK HE WOULD HAVE GIVEN UP THE CORRESPONDENCE? 205 00:13:34,814 --> 00:13:37,948 DID YOU NOTICE WHAT HE CALLED US IN THERE? MISCREANTS. 206 00:13:38,017 --> 00:13:42,053 RIGHT. NOBODY USES THAT WORD EXCEPT FOR THAT GUY AND... THE FAX BOMBER. 207 00:13:42,122 --> 00:13:45,323 I'M GONNA GET UNDER THIS GUY'S SKIN BEFORE HE HURTS SOMEONE ELSE. 208 00:14:10,149 --> 00:14:14,251 WAKE UP! WAKE UP! GOOD MORNING! 209 00:14:16,423 --> 00:14:23,460 FIVE, SIX, SEVEN, EIGHT, NINE, TEN... 210 00:14:23,530 --> 00:14:25,774 YOU CAN STOP COUNTING. YOU'RE HERE. OH. 211 00:14:25,798 --> 00:14:29,133 YOU MUST HAVE STEPPED INTO THE ROOM. IT'S 11 STEPS TO THE DOOR. 212 00:14:29,201 --> 00:14:31,803 I DID. THAT'S VERY GOOD. 213 00:14:31,871 --> 00:14:35,306 IT'S FUNNY, DR. JAROD. I USED TO HATE MATH IN SCHOOL. 214 00:14:35,375 --> 00:14:38,309 NOW MY ENTIRE LIFE IS BASIC ARITHMETIC. 215 00:14:38,378 --> 00:14:40,478 NINE STEPS FROM MY BED TO THE BATHROOM, 216 00:14:40,546 --> 00:14:44,082 14 STEPS TO THE HALLWAY, SEVEN STEPS TO THE CHAIR. 217 00:14:44,150 --> 00:14:47,451 JUST BE HAPPY IT'S NOT LONG DIVISION. 218 00:14:47,520 --> 00:14:49,987 IT'S A BEAUTIFUL DAY. WHY DON'T WE GO OUTSIDE? 219 00:14:50,055 --> 00:14:53,124 OH, NO. I... I-I THINK I'D RATHER STAY HERE. 220 00:14:55,728 --> 00:14:57,861 RACHEL, 221 00:14:59,399 --> 00:15:01,299 YOU HAVE TO GO OUTSIDE SOMETIME. 222 00:15:04,804 --> 00:15:09,006 BUT IT WAS SUCH A NICE DAY, I DECIDED TO GO ON THE ROOFTOP AT CITY HALL. 223 00:15:09,075 --> 00:15:11,842 THAT'S WHAT HAPPENED THE LAST TIME I WENT OUTSIDE. 224 00:15:11,911 --> 00:15:15,579 YOU WERE IN THE WRONG PLACE AT THE WRONG TIME. 225 00:15:15,648 --> 00:15:19,183 BUT THAT IS NOT YOUR FAULT. 226 00:15:19,251 --> 00:15:22,291 YOU CAN'T STOP LIVING YOUR LIFE BECAUSE OF IT. 227 00:15:23,322 --> 00:15:26,157 I HEAR HE SET OFF ANOTHER BOMB. 228 00:15:26,225 --> 00:15:30,194 YES, HE DID. THANKFULLY, NOBODY ELSE WAS HURT. 229 00:15:31,698 --> 00:15:34,732 YOU KNOW, WHEN I HAD MY EYES BEHIND A CAMERA, 230 00:15:34,801 --> 00:15:37,068 I COULD SEE THINGS NO ONE ELSE COULD SEE. 231 00:15:37,136 --> 00:15:39,203 I COULD TAKE A THOUSAND SHOTS... 232 00:15:39,272 --> 00:15:42,006 AND TELL YOU WHICH ONE WAS PERFECT BEFORE IT WAS EVEN DEVELOPED. 233 00:15:43,677 --> 00:15:47,244 I CAN REMEMBER DETAILS OF NEARLY EVERY PICTURE I EVER TOOK. 234 00:15:47,313 --> 00:15:50,114 THAT'S IRONIC. 235 00:15:50,183 --> 00:15:53,250 THEY TELL ME HE WAS THERE THAT DAY. 236 00:15:53,319 --> 00:15:57,555 THAT I MUST HAVE SEEN THE MAN WHO DID THIS TO ME AS HE WAS SETTING HIS BOMB. 237 00:15:59,626 --> 00:16:05,396 BUT AS HARD I TRY, I CAN'T REMEMBER. 238 00:16:22,515 --> 00:16:24,293 I CAN'T BELIEVE THEY THINK ONE OF US... 239 00:16:24,317 --> 00:16:27,651 IS LEAKING INFORMATION TO JAROD. 240 00:16:27,720 --> 00:16:32,556 OH, I WISH I HADN'T EATEN THAT POPPY SEED MUFFIN. 241 00:16:32,625 --> 00:16:35,226 THEY'RE GIVING US A POLYGRAPH, YOU IDIOT, 242 00:16:35,295 --> 00:16:37,628 NOT A URINE TEST. 243 00:16:37,697 --> 00:16:39,630 I THOUGHT IT WAS BOTH. 244 00:16:39,699 --> 00:16:42,500 IT SHOULD BE, FOR YOU. 245 00:16:42,568 --> 00:16:45,236 WHAT-WHAT IS THAT SUPPOSED TO MEAN? 246 00:16:45,304 --> 00:16:48,572 YOU'RE THE ONE WHO HANDLES THE INFORMATION AROUND HERE. 247 00:16:48,642 --> 00:16:51,375 I'M SORRY. I'M IN A FILTHY MOOD. LET'S NOT ACCUSE EACH OTHER. 248 00:16:51,444 --> 00:16:55,379 OH, THAT MEANS A LOT COMING FROM JAROD'S TEDDY BEAR. 249 00:16:57,616 --> 00:16:59,583 MISS PARKER. 250 00:17:02,656 --> 00:17:04,588 TO CALIBRATE THE MACHINE, 251 00:17:04,658 --> 00:17:07,291 PLEASE ANSWER THE FOLLOWING QUESTION UNTRUTHFULLY. 252 00:17:07,360 --> 00:17:09,760 ARE YOU ELEANOR ROOSEVELT? YES. 253 00:17:18,170 --> 00:17:22,707 HAVE YOU PURSUED JAROD TO THE BEST OF YOUR ABILITY? 254 00:17:22,775 --> 00:17:26,110 YES. BECOME HER, ANGELO. 255 00:17:26,178 --> 00:17:28,178 TELL ME IF SHE IS LYING. 256 00:17:28,247 --> 00:17:30,381 DID YOU WILLFULLY MISFIRE YOUR WEAPON... 257 00:17:30,449 --> 00:17:33,317 WHEN ATTEMPTING TO APPREHEND JAROD IN MIAMI, FLORIDA? 258 00:17:33,386 --> 00:17:36,020 WHAT? YES OR NO, PLEASE. 259 00:17:39,392 --> 00:17:41,325 NO. 260 00:17:41,394 --> 00:17:44,495 SMOKING IS NOT PERMITTED DURING A POLYGRAPH. 261 00:17:57,877 --> 00:17:59,877 HAVE YOU RECEIVED... 262 00:17:59,946 --> 00:18:02,613 A PERSONAL MESSAGE FROM JAROD? 263 00:18:05,351 --> 00:18:08,118 IT WAS A BUNNY. 264 00:18:09,222 --> 00:18:11,155 YES. 265 00:18:16,195 --> 00:18:20,998 DID YOU SECRETLY CONTACT JAROD VIA A SECURE INTERNET CONNECTION? 266 00:18:21,066 --> 00:18:23,000 YES. 267 00:18:23,069 --> 00:18:26,337 DID YOU ATTEMPT TO PROVIDE HIM WITH CLASSIFIED INFORMATION? 268 00:18:27,807 --> 00:18:31,876 YES, BUT WITH A VIEW TO BRINGING HIM HOME. 269 00:18:31,944 --> 00:18:36,513 HAVE YOU EVER SECRETLY MET WITH JAROD? MM-MMM. 270 00:18:36,582 --> 00:18:40,084 NO. 271 00:18:42,288 --> 00:18:45,089 IS HE LYING? 272 00:18:47,393 --> 00:18:50,762 IS HE THE ONE? 273 00:18:57,737 --> 00:19:00,438 HAVE YOU EVER USED A CONTROLLED SUBSTANCE? 274 00:19:00,506 --> 00:19:02,373 NO. 275 00:19:05,311 --> 00:19:10,214 WERE YOU IN THE LAB WHEN INFORMATION REGARDING JAROD'S ORIGINS WAS LEAKED? 276 00:19:10,283 --> 00:19:13,484 YES. 277 00:19:13,553 --> 00:19:16,019 DID YOU LEAK THE INFORMATION JAROD RECEIVED... 278 00:19:16,088 --> 00:19:19,624 VIA SPECIAL COURIER IN MIAMI, FLORIDA? NO. 279 00:19:23,062 --> 00:19:26,563 HAVE YOU EVER LIED TO THE CENTRE? NO. 280 00:19:35,841 --> 00:19:40,143 HE'S THE LEAK, ISN'T HE, ANGELO? 281 00:20:34,400 --> 00:20:39,336 SO, YOU'VE DECIDED TO PUT IN A TRANSFER TO FORENSICS, HMM? 282 00:20:39,405 --> 00:20:41,883 I'VE JUST BEEN SIFTING THOUGH ALL THE FAX BOMBER DEBRIS. 283 00:20:41,907 --> 00:20:44,975 YOU WENT OVER THREE THOUSAND PIECES OF EVIDENCE HERE? 284 00:20:45,044 --> 00:20:48,111 THREE THOUSAND AND TWENTY-FIVE. 285 00:20:48,180 --> 00:20:51,215 - I'VE SPECIFICALLY BEEN STUDYING THE WIRES. - NO, NO, NO. 286 00:20:51,283 --> 00:20:54,017 THE FEDS, THEY COVERED EVERY CENTIMETER OF THAT COPPER. 287 00:20:54,086 --> 00:20:57,387 I KNOW. I'VE BEEN STUDYING THE ENCASEMENTS. 288 00:20:57,456 --> 00:21:00,390 THERE'S NO PATTERN. THIS GUY IS RANDOM... 289 00:21:00,459 --> 00:21:03,727 EXCEPT FOR THE DETONATOR CONNECTORS. 290 00:21:03,796 --> 00:21:06,163 HE'S VERY SENSITIVE ABOUT THEM. 291 00:21:06,231 --> 00:21:08,365 HE WANTS TO BE SURE. 292 00:21:08,434 --> 00:21:11,636 THAT'S WHY THEY ALL HAVE EXACTLY THE SAME PARALLEL CUT PATTERN. 293 00:21:11,704 --> 00:21:13,704 COME ON. EXACTLY THE SAME? 294 00:21:14,974 --> 00:21:16,907 EXACTLY. 295 00:21:21,481 --> 00:21:24,159 NOTICE THE ANGLE OF THE GROOVES ON THE PARALLELS. 296 00:21:24,183 --> 00:21:27,484 GIVES US SOMETHING TO RUN DOWN WITH THE KNIFE MANUFACTURERS. 297 00:21:27,553 --> 00:21:30,187 AND THE CUT CONTOURS CONFIRM THAT HE'S... RIGHT-HANDED. 298 00:21:30,256 --> 00:21:32,256 YES, SIR. 299 00:21:33,960 --> 00:21:35,960 LOW-TECH. 300 00:21:36,028 --> 00:21:38,396 VERY. MMM. 301 00:21:40,466 --> 00:21:42,599 HELLO. HEY. 302 00:21:42,668 --> 00:21:46,603 HEY. HOW'S THE SPUD OF A THOUSAND FACES? 303 00:21:46,672 --> 00:21:49,707 WELL, I ONLY HAVE THE 13-PIECE SET SO, 304 00:21:49,776 --> 00:21:51,742 TECHNICALLY, THIS ONE'S ONLY GOT, UH... 305 00:21:51,811 --> 00:21:55,279 ONE HUNDRED AND SEVENTY-NINE. I HAVE A PROJECT FOR YOU. 306 00:21:55,347 --> 00:21:57,781 I'M UP TO MY EARS IN MILK CARTONS HERE. 307 00:21:57,850 --> 00:22:00,885 WELL, THIS ONE'S VERY SPECIAL TO ME. 308 00:22:00,953 --> 00:22:03,587 IT'S MY MOTHER. I WAS WONDERING... 309 00:22:03,656 --> 00:22:05,722 IF YOU COULD AGE HER 30 YEARS. 310 00:22:05,791 --> 00:22:09,026 I WANT TO SEE WHAT SHE WOULD LOOK LIKE. 311 00:22:11,464 --> 00:22:13,876 I'LL MAKE IT WORTH YOUR WHILE. HEY, I'LL SEE WHAT I CAN DO. 312 00:22:13,900 --> 00:22:15,433 THANKS. ALL RIGHT. 313 00:22:24,644 --> 00:22:27,945 IT'S RIGHT OVER THERE UNDER THE BUS. IT'S RIGHT OVER THERE UNDER THE BUS. 314 00:22:28,014 --> 00:22:30,693 DID THE THREAT COME IN BY FAX? IT WAS MORE OF A PHONE CALL. 315 00:22:30,717 --> 00:22:34,718 ONE OF MY DRIVERS FOUND THE UNCLAIMED SUITCASE ON THE 3:15 FROM TRAVERSE CITY. 316 00:22:34,787 --> 00:22:36,787 ALL RIGHT. WE'LL TAKE IT FROM HERE. THANKS. 317 00:22:36,856 --> 00:22:38,789 HEY, CAN YOU GUYS KINDA HURRY UP? 318 00:22:38,858 --> 00:22:41,158 'CAUSE I GOT BUSES BACKING UP ON ME HERE, MAN, AND I... 319 00:22:41,226 --> 00:22:43,594 TAKE AS MUCH TIME AS YOU NEED THEN. THANKS. 320 00:23:13,026 --> 00:23:15,592 YOU OKAY? YEAH. 321 00:23:15,661 --> 00:23:17,961 COME ON. 322 00:23:48,127 --> 00:23:50,694 GOT A BACKACHE? 323 00:23:59,705 --> 00:24:02,206 THEY TOLD ME WE WOULD HAVE A LOT OF HOAX CALLS IN TRAINING, 324 00:24:02,275 --> 00:24:04,675 BUT I NEVER THOUGHT IT WOULD FEEL LIKE THIS. 325 00:24:04,744 --> 00:24:07,978 LET GO, J. THAT'S EASY FOR YOU TO SAY. 326 00:24:08,047 --> 00:24:10,914 - IT WAS PRETTY TENSE BACK THERE. - DON'T WORRY ABOUT IT. 327 00:24:10,983 --> 00:24:13,717 - THAT'S NICE WORK. - OH. YEAH. 328 00:24:13,786 --> 00:24:16,053 FROM MY ARMY DAYS. LET ME GUESS. 329 00:24:16,122 --> 00:24:19,723 - YOU GOT DRUNK ONE NIGHT. - BLITZED. MY WHOLE UNIT. 330 00:24:19,792 --> 00:24:23,327 AFTER GRENADA, THEY STATIONED US DOWN AT FORT BUCHANAN, PUERTO RICO. 331 00:24:23,395 --> 00:24:26,107 I DO NOT REMEMBER ONE THING THAT HAPPENED THAT ENTIRE MONTH, 332 00:24:26,131 --> 00:24:28,064 EXCEPT FOR THIS NEEDLE ARTIST. 333 00:24:28,133 --> 00:24:30,178 HE WAS A SHRIVELED-UP LITTLE PUERTO RICAN GUY... 334 00:24:30,202 --> 00:24:32,469 WHO HAD A HOLE-IN-THE-WALL SHOP IN OLD SAN JUAN. 335 00:24:32,538 --> 00:24:35,550 HE INKED EVERY SINGLE GUY IN THE WHOLE PLATOON... THE WHOLE PLATOON. 336 00:24:35,574 --> 00:24:38,286 YOU KNOW HOW MANY EAGLES THIS GUY HAD TO DO IN ONE NIGHT? 337 00:24:38,310 --> 00:24:40,744 GIVE US A BREAK, WILL YOU, CARLSON? 338 00:24:40,812 --> 00:24:42,548 YOU PARTNER WITH THIS GUY TOO LONG, YOU KNOW 339 00:24:42,572 --> 00:24:44,212 HIS OLD UNIT LIKE IT WAS YOUR OWN FAMILY. 340 00:24:49,955 --> 00:24:51,488 WHAT ARE YOU DOING? 341 00:24:51,557 --> 00:24:53,624 I'M GOING TO TURN THIS SPACE INTO A DARKROOM. 342 00:24:53,693 --> 00:24:56,526 I LIVE IN A DARKROOM. GOOD. 343 00:24:56,595 --> 00:24:58,528 BECAUSE I NEED YOU... 344 00:24:58,597 --> 00:25:00,964 TO DEVELOP A ROLL OF FILM FOR ME. 345 00:25:01,967 --> 00:25:03,967 OH, THAT SMELLS FAMILIAR. 346 00:25:04,036 --> 00:25:08,072 - I THOUGHT YOU'D REMEMBER IT. - IS THIS SOME KIND OF NEW THERAPY? 347 00:25:08,140 --> 00:25:10,508 CALL IT A SIMULATION. 348 00:25:10,576 --> 00:25:13,310 SIMULATION? MM-HMM. 349 00:25:13,379 --> 00:25:15,712 I'M GOING TO CREATE AN ENVIRONMENT... 350 00:25:15,781 --> 00:25:20,684 WITH ALL THE STIMULI YOU NEED TO RECREATE AN EVENT, 351 00:25:20,753 --> 00:25:23,086 AND FOR YOU TO BECOME SOMEONE. 352 00:25:23,155 --> 00:25:25,656 WHO DO YOU WANT ME TO BECOME? 353 00:25:31,364 --> 00:25:33,464 YOURSELF. OH! 354 00:25:33,533 --> 00:25:35,866 OH, MY CAMERA. 355 00:25:35,934 --> 00:25:39,170 OH, I HAVEN'T TOUCHED THIS SINCE THE... 356 00:25:39,238 --> 00:25:41,738 WELL, SINCE THE DAY AT CITY HALL. 357 00:25:41,807 --> 00:25:44,675 NOW I WANT YOU TO DEVELOP THAT ROLL OF FILM, 358 00:25:44,743 --> 00:25:47,878 THE PICTURES YOU TOOK THAT DAY. 359 00:25:47,946 --> 00:25:50,781 OH, BUT THERE'S NO FILM IN IT. I KNOW. 360 00:25:50,850 --> 00:25:54,784 I WANT YOU TO DEVELOP THE PICTURES IN YOUR MIND. 361 00:26:07,199 --> 00:26:10,000 I'M ON THE ROOFTOP AT CITY HALL. 362 00:26:10,069 --> 00:26:14,971 NATURAL LIGHT IS AT ITS-ITS PERFECT ANGLE. 363 00:26:17,376 --> 00:26:20,411 THE BUILDING IS... IS CLOSED. IT'S SUNDAY. 364 00:26:20,479 --> 00:26:24,915 AND I'M, UH, GETTING LAST-MINUTE SHOTS FOR MY GALLERY OPENING. 365 00:26:24,984 --> 00:26:27,150 ARE YOU ALONE? 366 00:26:27,219 --> 00:26:30,520 I THINK. I-I DON'T SEE ANYONE. 367 00:26:32,257 --> 00:26:34,658 I DON'T... I DON'T SEE ANYONE, 368 00:26:34,727 --> 00:26:37,193 BUT I FEEL A... 369 00:26:37,263 --> 00:26:40,230 A TINGLE ON THE BACK OF MY NECK. 370 00:26:42,301 --> 00:26:46,337 I DON'T SEE ANYONE, BUT I HEAR SOMETHING. 371 00:26:46,405 --> 00:26:51,908 WHAT DO YOU HEAR? FOOTSTEPS, WALKING QUICKLY AWAY. 372 00:26:51,977 --> 00:26:54,078 BUT, UH, YOU DON'T THINK ANYTHING ABOUT IT... 373 00:26:54,146 --> 00:26:56,180 BECAUSE YOU HAVE OTHER PICTURES TO TAKE. 374 00:27:00,486 --> 00:27:02,819 IT'S RIGHT BEFORE IT HAPPENS. 375 00:27:11,063 --> 00:27:13,097 WE CAN STOP THIS IF YOU WANT. 376 00:27:13,165 --> 00:27:15,299 NO. 377 00:27:15,368 --> 00:27:19,603 I WALK OVER TO WHERE THE FOOTSTEPS ARE COMING FROM, 378 00:27:19,672 --> 00:27:22,840 BUT HE'S GONE. 379 00:27:22,908 --> 00:27:27,578 RACHEL, DO YOU SEE THE BOMB? 380 00:27:27,646 --> 00:27:30,046 IT'S ONLY AN INSTANT BEFORE THE FLASH. 381 00:27:32,818 --> 00:27:36,220 DO YOU SEE HIM? NO. 382 00:27:36,288 --> 00:27:40,324 BUT... I SMELL SOMETHING. 383 00:27:40,393 --> 00:27:42,392 I SMELL... YOU SMELL HIM. 384 00:27:44,196 --> 00:27:46,330 IT MUST BE, UM... 385 00:27:46,398 --> 00:27:49,399 I DON'T... I DON'T KNOW WHAT IT IS. 386 00:27:49,468 --> 00:27:51,468 IT-IT'S COLOGNE. 387 00:27:51,536 --> 00:27:55,272 NO, IT-IT'S, UM, MEDICINE, MENTHOL. 388 00:27:55,341 --> 00:27:59,877 - WHAT ATHLETES PUT ON SORE MUSCLES. - LIQUID HEAT. 389 00:28:04,116 --> 00:28:06,049 THANK YOU. 390 00:29:10,783 --> 00:29:13,483 - ARE YOU STEVEN JOHNSON? - YEAH. 391 00:29:13,552 --> 00:29:15,485 SPECIAL AGENT JAROD WEBSTER. 392 00:29:15,554 --> 00:29:18,455 F.B.I.? WHAT DID I DO? 393 00:29:18,524 --> 00:29:21,558 NOTHING, MR. JOHNSON. I'M JUST DOING A SECURITY CHECK... 394 00:29:21,627 --> 00:29:24,372 ON ONE OF YOUR OLD ARMY BUDDIES, DANIEL CARLSON. 395 00:29:24,396 --> 00:29:26,329 HE PUT YOU DOWN AS A REFERENCE. 396 00:29:26,399 --> 00:29:28,376 IF YOU WANT TO CLEAR CARLSON, YOU'RE TALKING TO THE WRONG GUY. 397 00:29:28,400 --> 00:29:31,101 - WHY'S THAT? - CARLSON TALKS A GOOD GAME, 398 00:29:31,170 --> 00:29:33,970 BUT THE REST OF THE SQUAD HAD TO CARRY HIM EVERY STEP OF THE WAY. 399 00:29:34,039 --> 00:29:36,306 WELL, THE WAY HE PUTS IT, YOU WERE A VERY TIGHT UNIT. 400 00:29:38,277 --> 00:29:39,926 WE'D PROBABLY HAVE SHOT HIM OURSELVES IF HE 401 00:29:39,950 --> 00:29:41,623 HADN'T CAUGHT THE SHRAPNEL IN THE SHOULDER. 402 00:29:41,647 --> 00:29:44,748 HE HAS THE COMPANY TATTOO ON HIS FOREARM. 403 00:29:46,952 --> 00:29:50,086 YOU DON'T SEE ANY MORONIC LITTLE BIRDS ON ME, DO YOU? 404 00:29:50,155 --> 00:29:52,589 HELL, CARLSON COME IN ONE DAY ALL DRUNK, 405 00:29:52,658 --> 00:29:55,870 QUEER LITTLE BIRD ON HIS ARM, TALKING ABOUT HOW HE WANTED THE REST OF US TO GET 'EM. 406 00:29:55,894 --> 00:29:58,896 GUY'S A DANGEROUS LITTLE WANNABE. 407 00:29:58,964 --> 00:30:00,697 WELL, THANK YOU VERY MUCH FOR YOUR TIME. 408 00:30:00,766 --> 00:30:02,932 HEY, WHAT'S THE LITTLE WEASEL APPLYING FOR, ANYWAY? 409 00:30:04,603 --> 00:30:07,504 - BOMB SQUAD. - GOD HELP US ALL. 410 00:30:09,674 --> 00:30:12,309 YOU PAGED ME? 411 00:30:12,378 --> 00:30:15,345 OH, YEAH, DUDE. SORRY SANTA WAS A LITTLE LATE, 412 00:30:29,794 --> 00:30:32,395 SHE'S STILL BEAUTIFUL. 413 00:30:32,463 --> 00:30:35,631 NOW, UM, YOU SAID YOU'D MAKE IT WORTH MY WHILE. 414 00:30:35,700 --> 00:30:38,234 PATIENCE, MR. POTATO HEAD. 415 00:30:38,303 --> 00:30:41,137 THANK YOU. OKAY. 416 00:30:42,473 --> 00:30:47,076 JAROD, THE FAX BOMBER JUST BLEW HIMSELF UP. 417 00:30:47,145 --> 00:30:49,745 WHERE'S CARLSON? HE PHONED IT IN. 418 00:31:16,708 --> 00:31:18,742 LET ME THROUGH! LET ME THROUGH! 419 00:31:18,810 --> 00:31:21,322 LET HER THROUGH. THIS IS HER HOUSE. THIS IS HER SON. LET HER THROUGH. 420 00:31:21,346 --> 00:31:23,279 ARE YOU HURT? 421 00:31:23,348 --> 00:31:25,715 I WASN'T HOME LAST NIGHT. 422 00:31:25,783 --> 00:31:27,783 I HAD A DATE. 423 00:31:31,556 --> 00:31:36,459 CURTIS? CURTIS, MAMA'S HERE. MA'S HERE, HONEY. 424 00:31:36,528 --> 00:31:39,673 I HAD A FEELING ABOUT THIS GUY. I CAME OVER HERE TO SEE IF I COULD GET HIM TO TALK. 425 00:31:39,697 --> 00:31:42,632 HE MUST HAVE SEEM ME COMING BECAUSE THE WHOLE PLACE WENT UP. 426 00:31:42,701 --> 00:31:46,969 - IT KNOCKED ME ALL THE WAY BACK TO THE END OF THE DRIVEWAY. - IT WAS A NICE PLAY, CARLSON. 427 00:31:47,038 --> 00:31:49,678 GET YOURSELF CLEANED UP. YOU LOOK LIKE HELL. THANK YOU, SIR. 428 00:32:03,455 --> 00:32:05,955 I SHOULD HAVE KNOWN IT WAS HIM. 429 00:32:10,595 --> 00:32:12,596 ANOTHER CROISSANT, MISS PARKER? 430 00:32:14,499 --> 00:32:17,500 COLD COFFEE'S PLENTY. 431 00:32:17,569 --> 00:32:21,037 HE ALWAYS SEEMED TO BE... A STEP AHEAD, 432 00:32:21,106 --> 00:32:24,641 AND THEN SUDDENLY, WE WERE A STEP BEHIND. 433 00:32:24,710 --> 00:32:28,311 BROOTS HAS THE CLASSIC NONCONFRONTATIONAL PERSONALITY. 434 00:32:28,380 --> 00:32:32,582 I DOUBT HE WOULD PUT HIMSELF IN HARM'S WAY. 435 00:32:56,908 --> 00:32:59,608 WHERE THE HELL IS HE GOING NOW? 436 00:32:59,677 --> 00:33:02,512 PRIVATE INVESTIGATOR? 437 00:33:12,857 --> 00:33:15,424 COULD HE HAVE FOUND JAROD? 438 00:33:15,493 --> 00:33:17,827 I DON'T KNOW. 439 00:33:17,896 --> 00:33:21,464 BUT SOMEBODY JUST PUT THEMSELVES IN HARM'S WAY. 440 00:33:21,533 --> 00:33:23,966 IT DOESN'T MAKE SENSE. 441 00:33:24,036 --> 00:33:26,280 THE SAME BOMBER, WHO WAS SO INTELLIGENT HE DIDN'T LEAVE... 442 00:33:26,304 --> 00:33:27,792 AS MUCH AS A SPECK OF D.N.A. BEHIND, 443 00:33:27,816 --> 00:33:29,705 ACCIDENTALLY BLOWS UP HIS OWN MOTHER'S HOUSE? 444 00:33:29,774 --> 00:33:33,309 DON'T START WITH ME, NOBEL. AND WHY WOULD HE KEEP ALL OF HIS BOMB-MAKING EQUIPMENT... 445 00:33:33,378 --> 00:33:36,290 IN A BOX IN THE GARAGE WHEN HE HAD HIS OWN BASEMENT WORKSHOP? 446 00:33:36,314 --> 00:33:38,358 MAYBE HE WAS FEELING THE HEAT AND WAS PLANNING 447 00:33:38,382 --> 00:33:40,316 TO MAKE A MOVE. I DON'T THINK HE'S OUR MAN. 448 00:33:40,385 --> 00:33:42,418 WHY? IS HE LEFT-HANDED? 449 00:33:42,486 --> 00:33:44,787 AS A MATTER OF FACT, HE IS. 450 00:33:47,392 --> 00:33:50,059 THE ISSUE OF GUILT IS UP TO A JURY. 451 00:33:50,127 --> 00:33:52,628 OUR JOB... COLLECT EVIDENCE. 452 00:35:40,238 --> 00:35:43,439 NOW WE HAVE AN EXCLUSIVE WITH OFFICER DAN CARLSON OF THE CITY BOMB SQUAD. 453 00:35:43,508 --> 00:35:46,642 SO, YOU DEFUSED HIS DEVICES AND BROUGHT HIM TO JUSTICE. 454 00:35:46,711 --> 00:35:49,712 HOW DOES IT FEEL TO BE THE MAN WHO UNCOVERED THE FAX BOMBER? 455 00:35:49,780 --> 00:35:53,049 I'M JUST GLAD THIS NIGHTMARE FOR THE CITY IS FINALLY COMING TO AN END. 456 00:35:55,052 --> 00:35:57,419 NOT QUITE. 457 00:36:04,762 --> 00:36:06,896 HERE. 458 00:36:14,572 --> 00:36:17,907 WHAT DO YOU... WHAT IS THIS? WHAT ARE YOU DOING? 459 00:36:17,976 --> 00:36:20,876 SWEEPERS? IN MY HOUSE? 460 00:36:23,648 --> 00:36:26,883 THAT'S ALL RIGHT. THAT'S OKAY. IT'S ALL RIGHT. 461 00:36:26,951 --> 00:36:29,185 HE'S IN THE MIDDLE OF THE CUSTODY BATTLE. 462 00:36:29,254 --> 00:36:32,422 THE P.I. WAS TRYING TO DIG UP SOMETHING ON THE EX HE COULD USE IN COURT. 463 00:36:32,490 --> 00:36:36,225 THE PLANE TICKET? TIME FOR LITTLE SUSIE TO FLY HOME TO MOMMY. 464 00:36:36,294 --> 00:36:38,928 AT LEAST WE'VE CLEARED HIM. 465 00:36:38,997 --> 00:36:41,030 CLEARED HIM? 466 00:36:41,099 --> 00:36:43,899 HE LIED TO THE CENTRE. 467 00:36:43,969 --> 00:36:48,171 HE NEVER SAID ANYTHING ABOUT BEING MARRIED. HE WANTED HIS PRIVACY. 468 00:36:48,239 --> 00:36:51,140 NONE OF THAT JUSTIFIES WHAT WE DID. YOU'RE DAMN RIGHT. 469 00:36:53,544 --> 00:36:55,778 YOU'RE LATE. 470 00:36:55,847 --> 00:36:59,782 WELL, I SPENT ALL MORNING ON THE PHONE WITH A LAWYER. HE DROPPED MY CASE. 471 00:36:59,851 --> 00:37:02,217 HMM. 472 00:37:02,287 --> 00:37:04,320 I'M SORRY TO HEAR THAT. 473 00:37:04,389 --> 00:37:07,657 MMM. ARE YOU, MISS PARKER? 474 00:37:07,725 --> 00:37:11,527 THANKS TO YOU, MY DAUGHTER HASN'T STOPPED CRYING SINCE LAST NIGHT. 475 00:37:11,596 --> 00:37:12,941 TOMORROW, I HAVE TO SEND HER BACK TO HER 476 00:37:12,965 --> 00:37:14,608 MOTHER, WHICH IS A PLACE SHE DOESN'T WANT TO GO. 477 00:37:14,632 --> 00:37:16,832 NONE OF THAT HAS ANYTHING TO DO WITH THE CENTRE. 478 00:37:16,901 --> 00:37:18,901 I WORK HERE. 479 00:37:20,505 --> 00:37:23,772 I SOLD MY SOUL TO BE IN THIS PLACE. I'M NOT SELLING HER. 480 00:37:23,841 --> 00:37:27,776 SO DON'T MESS WITH HER. AND DON'T MESS WITH ME. 481 00:38:17,095 --> 00:38:19,995 HEY, LAMONT, WHAT ARE YOU DOING TONIGHT? 482 00:38:54,732 --> 00:38:56,598 HEY, CARLSON. WHAT? 483 00:38:56,668 --> 00:38:58,834 YOU'D BETTER TAKE A LOOK AT THIS. 484 00:39:04,642 --> 00:39:06,642 WHAT? 485 00:39:07,812 --> 00:39:10,179 UGH. THIS IS SOME KIND OF HOAX. 486 00:39:10,248 --> 00:39:13,115 NOW, WE KNOW THE-THE FAX BOMBER IS IN A HOSPITAL BED. 487 00:39:13,184 --> 00:39:15,284 WELL, I GUESS HE CHECKED HIMSELF OUT. 488 00:39:15,353 --> 00:39:17,519 LET'S GO. 489 00:39:21,359 --> 00:39:24,227 MAIN ELEVATOR BANKS. RIGHT OVER THERE. 490 00:39:26,364 --> 00:39:29,732 - COME ON! - MAYBE WE SHOULD WAIT FOR BACKUP. 491 00:39:29,801 --> 00:39:31,634 AND MISS OUR CHANCE TO BE HEROES? 492 00:39:31,702 --> 00:39:33,635 COME ON. 493 00:39:42,680 --> 00:39:45,314 WHOA. ANOTHER BAD BETTY. 494 00:39:45,383 --> 00:39:47,917 OH, GOD. 495 00:39:49,720 --> 00:39:51,887 LET'S NOT RUSH INTO ANYTHING HERE. 496 00:39:53,257 --> 00:39:56,959 OH, LOOK. HE LEFT A NOTE. 497 00:39:58,529 --> 00:40:01,163 CAREFUL. SLOW. 498 00:40:06,337 --> 00:40:09,572 "THIS TIME IT'S REAL." 499 00:40:09,641 --> 00:40:11,840 HMM. SEE? 500 00:40:11,909 --> 00:40:13,342 NO! 501 00:40:17,014 --> 00:40:19,415 FORGET IT, CARLSON. 502 00:40:19,484 --> 00:40:23,285 THIS IS THE EXPRESS. IT WON'T STOP FOR 60 FLOORS. 503 00:40:23,354 --> 00:40:26,589 UH-OH. SIXTY FLOORS IF WE'RE LUCKY. 504 00:40:26,658 --> 00:40:31,093 - WHAT ARE YOU TALKING ABOUT? - BAROMETRIC DETONATOR. 505 00:40:31,162 --> 00:40:34,263 DESIGNED TO DETONATE AT ALTITUDES 600 OR 700 FEET. 506 00:40:34,332 --> 00:40:38,201 MY GUESS IS WE'RE GOOD FOR 45, 50 FLOORS, TOPS. 507 00:40:41,505 --> 00:40:46,174 - WE GOTTA GET OUT OF HERE! - NO, WE'VE GOTTA DEFUSE THIS BOMB. 508 00:40:46,243 --> 00:40:49,111 NO, THERE'S NO TIME! OH, THERE'S PLENTY OF TIME. 509 00:40:49,179 --> 00:40:51,814 IT SHOULD BE EASY FOR YOU. 510 00:40:51,882 --> 00:40:54,683 IT'S JUST LIKE ALL THE OTHER BOMBS YOU USED TO MAKE. 511 00:40:54,752 --> 00:40:59,822 HUH? YOU KNOW, THE BOMBS YOU DEFUSED... 512 00:40:59,891 --> 00:41:04,359 SO YOU COULD BE A HERO JUST LIKE YOUR BIG BROTHER WAS? WHO THE HELL ARE YOU? 513 00:41:04,428 --> 00:41:08,563 JUST YOUR AVERAGE, EVERYDAY MISCREANT. 514 00:41:08,632 --> 00:41:11,833 AND SOMEONE WHO DOESN'T THINK THAT RACHEL NEWTON SHOULD HAVE LOST HER EYESIGHT... 515 00:41:11,902 --> 00:41:13,836 SO THAT YOU COULD BE PUT IN THE LIMELIGHT. 516 00:41:13,905 --> 00:41:17,306 NOW, LISTEN TO ME JAROD. I DID NOT EXPECT ANYBODY TO GET HURT. 517 00:41:17,375 --> 00:41:20,710 TELL THAT TO CURTIS HARING. HE WAS THE GUY YOU TRIED TO BLOW UP, 518 00:41:20,778 --> 00:41:22,311 SO YOU COULD COVER YOUR TRACKS. 519 00:41:22,379 --> 00:41:24,713 ALL RIGHT! THAT'S ENOUGH! NOW, COME ON! DEFUSE THIS THING! 520 00:41:24,782 --> 00:41:27,583 NOT SO COOL UNDER PRESSURE WHEN IT'S NOT YOUR OWN BOMB. 521 00:41:27,651 --> 00:41:32,021 BUT YOU SEE, PEOPLE THAT PLANT BOMBS, THEY'RE COWARDS AT HEART. 522 00:41:32,089 --> 00:41:36,725 AND SINCE I PLANTED THIS ONE, I DON'T WANT TO STICK AROUND TO WATCH IT BLOW. 523 00:41:36,794 --> 00:41:39,195 UH-OH. 524 00:41:40,264 --> 00:41:44,700 TWENTIETH FLOOR. BETTER GET TO WORK. 525 00:41:49,240 --> 00:41:52,775 HOPE YOU CAN FIGURE OUT WHICH WIRE TO SNIP. 526 00:41:58,015 --> 00:42:00,015 BYE-BYE, HERO. 527 00:42:01,318 --> 00:42:03,853 NO! JAROD! 528 00:42:03,922 --> 00:42:05,887 JAROD! 529 00:42:36,787 --> 00:42:39,522 I GUESS THAT'S WHY THEY CALL IT THE EXPRESS. 530 00:43:02,412 --> 00:43:06,314 TEN, NINE, EIGHT, 531 00:43:06,383 --> 00:43:14,383 SEVEN, SIX, FIVE, FOUR, THREE, TWO, ONE. 532 00:43:17,861 --> 00:43:19,795 KABOOM. 533 00:43:23,801 --> 00:43:25,801 YOU'RE UNDER ARREST, CARLSON. 534 00:43:36,447 --> 00:43:38,948 THAT ALL OF YOU AT CITY HALL... 535 00:43:39,016 --> 00:43:41,817 WILL PAY EGREGIOUSLY FOR WHAT HAS HAPPENED TO ME. 536 00:43:41,886 --> 00:43:43,930 ARE YOU SURE YOU WANT TO SAY THAT? SAY WHAT? 537 00:43:43,954 --> 00:43:46,255 "EGREGIOUSLY"? WHO'S WRITING THIS LETTER? 538 00:43:46,324 --> 00:43:48,891 I WAS ONLY MAKING A SUGGESTION. IT'S MY LETTER! 539 00:43:48,959 --> 00:43:51,771 ALL RIGHT, ALREADY. WHAT DO YOU WANT FROM ME? MA! 540 00:43:51,795 --> 00:43:53,773 YOU DON'T EVEN KNOW WHAT IT MEANS. DO TOO! 541 00:43:53,797 --> 00:43:55,608 WELL, I CAN SPELL IT. JUST WRITE IT! 542 00:43:55,632 --> 00:43:58,701 E, G, R... GET MY DICTIONARY! 543 00:43:58,769 --> 00:44:02,905 I'M NOT GOING IN THAT SMELLY BASEMENT. OHH! THERE'S A FLY ON ME. 544 00:44:02,974 --> 00:44:05,134 "EGREGIOUSLY." A FLY ON ME! AAH! 545 00:44:35,472 --> 00:44:38,907 MORNING, MAY. 546 00:44:38,976 --> 00:44:41,816 WHERE'S RACHEL? THERE'S SOMETHING YOU SHOULD SEE. 547 00:44:47,084 --> 00:44:49,785 TOOK HER ABOUT A HALF HOUR TO GET DOWN THERE. 548 00:44:49,853 --> 00:44:52,555 BUT SHE GOT THERE ALL BY HERSELF. 549 00:45:09,440 --> 00:45:12,975 HE'S STILL SEARCHING, MR. PARKER. 550 00:45:13,043 --> 00:45:14,977 BUT WE WILL FIND THE LEAK. 551 00:45:16,314 --> 00:45:18,914 I PROMISE YOU THAT. 552 00:45:22,386 --> 00:45:25,320 DID YOU FIND SOMETHING, ANGELO? 553 00:45:34,031 --> 00:45:36,298 KEEP WORKING. 554 00:45:36,367 --> 00:45:38,367 KEEP WORKING.